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Caravaggio's first version of the Conversion painting is in the collection of Principe Guido Odescalchi. It is a much brighter and more Mannerist canvas, with an angel-sustained Jesus reaching downwards towards a blinded Paul.
Caravaggio introduced a powerfully frank realism with the use of dramatic lighting to Italian Baroque Art. When Caravaggio first moved to Rome in , he began his career as a specialist painter of still lifes, mostly fruits and vegetables. He continued his artistic career by painting for a small circle associated with the household of art patron, Cardinal del Monte. Starting in , Caravaggio had earned fame in the city of Rome. From this commission, Martyrdom of Saint Matthew and Calling of Saint Matthew , delivered in , were an immediate sensation.
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But Caravaggio was not able to bask in his fame for long, because he was exiled to Naples in Caravaggio earned fame in both Naples and Sicily after being exiled. But as seen with the Conversion of Saint Paul , his religious paintings received very different reactions. His style of tenebrism , where forms in paintings emerge from a dark background with usually one point of breaking light, may have been the influence of the preachings of Filippo Neri.
Neri was a Counter Reformation priest who tried to explain the Bible by making the subjects more understandable and meaningful. He does this by including members of the lowest class of society, so as to appeal to the majority. This idea of striving to make the characters of the Bible more meaningful pushed Caravaggio to use dramatic effects like tenebrism to make the characters more theatrical.
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In The Conversion of St. Paul , Caravaggio focuses on St. Although the viewer does not see a heavenly apparition, the scene can be easily identified as St. Later, the number rose to eight people, including two children.
- Joy erupts as Italian rescuers pull out avalanche survivors.
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Late in the day, firefighter spokesman Luca Cari said the number of survivors located was 10 but only a few had been extracted. Those being rescued were in remarkably good condition and were being flown to area hospitals, rescue workers said. Titi Postiglione, operations chief of the civil protection agency, also said survivors would be helping rescuers trying to find others trapped in the hotel. Two bodies were recovered on the first day of searching and RAI state TV reported that two other bodies had been located but not yet removed. The operation has been hampered by difficulty in accessing the remote hotel.
Workers have been clearing a 7-kilometer 5. Days of heavy snowfall had knocked out electricity and phone lines in many central Italian towns and hamlets, and the hotel phones went down early Wednesday, just as the first of four powerful earthquakes struck.
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The force of the massive snow slide collapsed one wing of the hotel and rotated another off its foundation, pushing it downhill. Parete reported that the guests had all checked out and were waiting for the road to be cleared to be able to leave. But the snowplow scheduled for midafternoon never arrived and the avalanche hit around 5: Prosecutors have opened a manslaughter investigation into the tragedy and are looking into whether the avalanche threat was taken seriously enough, according to Italian media.