Circus Tender (Floating Wolf Quarterly Chapbooks)

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In this collaborative process, blending and folding of genres is inherent. She is the co-author of The Assignment Fountainhead Press. Mindmade Books published Of Traverse and Template The Girl with Brown Fur: Works of translation, prose, film and music have been published He is invested in open culture, expanded field interventions, and the primacy of experience as product. His practice is inherently collaborative, redefining CF Chelsea Fiddyment Chelsea Fiddyment is a language artist investigating the relationship between form and content in narrative fiction through text, performance, book objects, installation art, and publication platforms.

She is also a classically trained vocalist. Her work has been featured in galleries Laurel Forest Foglia is a writer, editor, and educator. LF Lindsey French Lindsey French is an artist and educator whose work engages in gestures of communication with landscapes and the nonhuman. Embracing a number of mediation strategies, her projects materialize as texts written in collaboration with trees, scent transmissions, performative lectures Heather McShane enjoys thinking about language as experience.

She teaches at DePaul University, leading Natasha Mijares Natasha Mijares is an artist, writer, curator, and educator. She has been published Through a series of projects ranging from boat-building to walking tours, she has sought to cross the distance between here He is at work on a book called The Saxophone Thieves. Saturday October 6, Dark Sonics Feedback Survey. In response to unsurvivable times, we four artists will sound a twitchy sonic map of the afterworlds. With song, text, image and noise, we'll send out signals which bounce back to reveal and configure our improbably-shaped yet persisting bodies.

AR Andra Rotaru Andra Rotaru works at the intersection of poetry, fiction, photography, and performance and has won multiple major awards in her native Romania. A Confluence of Imagetext Feedback Survey. The body becomes a moving target in the margins, and this panel speculates on when or where it im positions itself. This panel looks at a series of writings that foregrounds the body. Presenting our own creative-critical work—textual and photographic—, we reflect on black joy, trauma, motherhood, war veteran, disability, and all our shifting statuses, which are articulated by the body in the text and the body as the text.

This discussion is interdisciplinary, combining prose, essay, poetics, imagery and stem cell genetics. Here, we approach new social possibilities by opening new conceptualizations of identity through realist contexts. Speakers Kelly Dulaney Kelly Dulaney began in the cinders of Arizona; now she lives alongside the hogback hills of Colorado.

In San Francisco, she volunteers as an editorial CA crystal am nelson crystal am nelson is an artist, scholar, and independent curator. Currently a PhD candidate in visual studies at UC Santa Cruz, her current work investigates the relationship between the black radical imagination, black desire, and safe space. She is a script reader for Annapurna The Domestic and the Documentary: What forms do we find to give voice to experiences of inheritance? How do images — and stories — travel between the sites of the domestic and the documentary? How might one rework a definitive, monolithic picture of history through documentary poetics?

This panel intends to explore the kinds of temporal and dynamic forms that emerge out of the collision of identity, inheritance, and the relationship between so-called private or family spaces and unconventional practices of documentation, with a particular attention to experimental prose forms. Panelists will present their currently developing creative nonfiction, prose poetry, and ethnographic projects, discussing their processes with one another and the audience.

Through this discussion, panelists will explore how images move between the sites of the domestic and the documentary; how stories migrate through time, space, bodies, and dreams; and how one might complicate linear genealogies through poiesis, following the temporalities and rhythms of relatedness. Finally, panelists will consider how the 'document' of various forms may sway or change as pressure is put up against its language.

Her short prose has appeared in the Black Warrior Lawrence Coates, "Surrealism and the Very Short Story " A presentation on creative techniques for composing short shorts, microfictions, and other very brief prose forms. These exercises often result in images with startling juxtapositions. As part of the class, I require students to compose a microfiction incorporating a common image that we come up with. In my presentation, I intend to briefly describe the exercise, then lead those present in a surrealist game to create images.

I will end by inviting all to compose microfictions that incorporate one or more of those images. Utilizing brief texts which he writes and images appropriated from popular and subcultural points of reference, the paintings draw from narrative theory, contemporary and postmodern fiction, semiotics, feminism, and film theory to explore the formation and shaping of working class masculine identity through mass culture.

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The work utilizes a wide range of painting languages and culturally derived visual vocabularies to address the issue of gender, and more broadly the expectations and assumptions that are implicit within a socially configured identity bound by class. The visual language of digital culture—derived from video games, early computer imaging, and. Julia Pello, "Stuttering Images".

I've published five books, most recently a novella, Camp Olvido, which has been optioned for the movies by the indie production company FilmScience. Jason Lahr was born and raised in rural Pennsylvania. He received his M. Even if traditional, socially-normative notions and representations of home ever truly reflected lived experience, it is clear they no longer can accommodate the social, cultural, and political realities of contemporary American life.

In this interdisciplinary, cross-genre panel, five authors, including two translators, interrogate and deconstruct these limited, commercially-driven ideas of what constitutes home through formally experimental narratives, to offer alternative notions of home. Approaches that traverse boundaries between, within, and across genres—allows these authors to address complicated themes such as transnational identity, adoption, loss, gender, and language through an expansion of given forms.

These complex narratives often explore cultural, political, and personal realities. Authors draw from research, biography, criticism, art, popular media, and philosophy to create culturally-relevant artworks that challenge received social norms and push the boundaries of language. Presenters discuss how in crafting an alternate notion s of home, hybrid forms also invite the critique of social categories in our family-centric culture.

She co-edited the anthology, Mixed Korean: A multidisciplinary artist and writer, her work has appeared in a number Her writing appears widely in venues including Poetry, American Poetry He has translated a number of books, including works by Kim Yideum, Aase Or, how do we learn to be affected? Exploring how various systems of language, knowledge and sensing create relations between different bodies, this panel will explore notions of personhood, co-dependency, interspecies communication, insurgency, queerness, and polyphony.

She also makes visual poems, poetry objects, time-based poetry, and curates the public art project, The Poetry Booth. She writes about the filmic long take, slowness Recent years have seen the rise of novels, such as Ready, Player, One and The Hike, that pattern themselves on or around games. Where, also, do these game narratives fit into a larger and longer tradition of fictions that conceive of and play their own games, formal and linguistic and otherwise some examples being modern and postmodern avant-garde and experimental texts.

Matthew Roberson is the author of three novels, About many things—personal, political, cultural—we feel more than one way. Often, these ways seem to contradict each other, or to cancel each other out. But the hum persists. And in its persistence, it becomes less lazy. How might ambivalence be cast not as apathy but as engine? Formal and stylistic considerations—around syntax, proximity, layout, structure—can draw out these dualities without diluting or resolving them.

Ambivalence has a political valence as well. The blunt force of fascism comes without nuance. Politically activated ambivalence is not undone by complexity but views its frictions and multiplicities as power-generating. Intersectionality might be an ambivalent consideration of subjectivity; the split subject doubly, triply asserts herself. Ambivalence figures differently and divergently in the work of the panelists: Sara Jaffe will introduce and moderate.

Sara Jaffe moderator is the author of the novel Dryland Tin House, She co-edited The Art of Touring Yeti, , an anthology A History for Girls FC2. Writings have appeared in places like American Her most recent collection, Dreaming of Ramadi in Detroit, was chosen by Maggie Nelson as the winner of the A reading of flash fictions from FC2 authors of recent years!

Speakers GC George Choundas. Jennifer Natalya Fink Georgetown University. Hybridity in written form often results from obsession. In varying containers, the writers on this panel manipulate their obsessions into works rife with image, art and formal experimentation. These obsessions confront the feeling of invasion: These writers engage with the non-literary world and use the strangeness of language to construct narratives varyingly inward and outward-facing. In this panel, the writers will talk about their research processes, the stories of their obsessions and invasions, and will read from their formally unique works.

His essays have been featured in or are forthcoming in Granta, Brevity, Black Warrior Review, Redivider, and elsewhere, and his work has been supported by the Sustainable Arts Foundation Saturday October 6, 1: Form and Dis Content: The aim of this panel is to discuss the many ways writers of color approach common literary traditions, genres, and tropes, as well as the idea of a standard izing notion of language itself.

She received her M. His fiction has appeared in various journals known for showcasing experimental and innovative work, including ACM: Another Chicago Magazine, www. A writer of fiction, nonfiction, and poetry, she teaches creative writing From Condensary to Essay: A Reading Four poets who have entered the lush field of the essay read their prose pieces.

As in, assay, as say, as sing. Rosenthal edited A Community Writing Itself: Conversations with Vanguard Poets of the Bay Interactive Wet Maps Feedback Survey. Part performance, part discussion, this panel operates as space to discuss writing as it emerges out of the complex urgencies of this moment--as ephemera, gesticulation, glimpse, and unfinished business. Writers of color whose work draws from oral histories, documentary poetics, digital modalities, and ritual come together to embody and enact conceptual possibilities in relationship to contemporary surveillance culture with responses, drafts, and improvisations.

Through interactions with artifacts, objects, and video footage, panelists will discuss works-in-process and aspire to make new work in the real-time collaborative space of the panel. Chambliss Professor of English with Joint Appt. His research interests focus on the race A poet and scholar Mixed Panel 2 Feedback Survey.

A Picaresque- " -Remedia: A Picaresque- will be launched in September by Steerage Press. It has been described as "a [reinvention of] the genre of the picaresque novel in a mode suited to the 21st century. With a light touch and sure sense of prose rhythm, he introduces a leitmotif of randomly appearing doorways, thresholds into and out of the world, to puncture the narrative space of this engaging [novel].

These programs will run, producing visuals and sound. I won't deliver a talk or offer banter. I do visualizations for music DJs, chiptune musicians, livecoded music using a pair of stock Commodore 64s with a monitor and a video switch. I turn these on and write BASIC programs from scratch, coding on one while displaying the output of a just-completed running program on the other.

I will use this setup but will load these programs, also offering explanatory titles. These projects began by focusing on language-centered formal innovation, then on writings in poetics, and finally on multi-authored writing in a hybrid form of serial narrative. S P L M N T will follow this series by developing a platform for discontinuous experiments in hybrid poetic forms that will, in every instance, explore a faultline between binary oppositions, including: The translational possibilities of the poem explores the latent fascism congealed within the deformed use of language we have been and are subject to.

The poem has now been translated into German and French; when preparing the work for French translation I produced a page, stanza-by-stanza gloss of the poem for the translator. As it proved impracticable to organize a multi-author session, I am applying as an individual, and will be happy to present in whatever format is appropriate. He published 13 books of fiction and poetry Nick Montfort's computer-generated books of poetry include! Among his more than fifty digital projects are the collaborations The Deletionist, Sea and Spar Between This minute multimedia performance combines sounds, electronics, voice, texts, and video projections, in an attempt to immerse the audience in the subject position of the operator.

Constructed in an ever-tightening spiral of voiced and projected textual material and a range of sonic matter, the performance also includes a video projection from the perspective of drone cameras hovering over landscapes, watchful, monitoring. The work examines the loss of subjecthood and agency, the negation of complexity, deviation, and unpredictability, and the strict hierarchical structure of power. OPERATOR voices and enacts the subject as vantage point, as occurrence; the subject as the eye that brutes the sky; the malleable hand that blots out the living; the subject as perpetual, replaceable; an operator, not an operative, with future blood on the hands.

We're interested in the passing and weaving of paper or small objects, thinking about and making zines, alternative economies of literary production, certain low-tech mid 60's to late 80's black literary production, reading and hearing poems. All is unfinished; and yet, the book, or not the book, or what's not there, or what's after. Join us and we'll fill the room. She's interested in mass media events and the collapsing star of discourse around them.

Webster utilizes these methods in investigating race — specifically the instability of blackness and black subjectivities Spuyten Duyvil Press, in Brooklyn, N. The press welcomes work from all, and does not discriminate based on country, creed, color, sex organs, sex identity, preferred sex positions, heart's desire, age, eye color, sports agility, handedness, or lunar sign.

In the last ten years, in particular, that publishing has exploded. The reviews of Spuyten Duyvil books have been stunning. The readers are an assembly of a variety of voices, unafraid of genre agnosticism and risk. His poems, stories, and essays have appeared in over one hundred journals. His plays have been performed in St.

Panel on new book, "Experimental Literature: A Collection of Statements" edited by Jeffrey R. Di Leo and Warren Motte. Panelist will be some of the 33 contributors to the volume. With Tim Roberts, she co-edits Counterpath Press. An Installation is forthcoming from Omnidawn. He has co-edited two collections of fiction by American women, Chick-Lit I: Di Leo Jeffrey R.

His recent books include Corporate Humanities in Higher Christina Milletti's novel Choke Box: Performance and reading that shares various experiments in non-monolingual writing practices. Sade Murphy works sonically with English and German. Mirene Arsanios writes across several languages, including the Portuguese-based Caribbean creole Papiamentu.

Nevada Diggs works across a range of languages, including extinct languages, mistranslations, and vernaculars. Christian Hawkey explores intersections between Arabic, English, and German, as well as right to left reading practices. A writer, vocalist and sound artist, LaTasha N. He is a member of the decolonial translation collective WeTransist wetransist.

From Our Hearts to Yours: New Narrative as Contemporary Practice On Contemporary Practice, is the first comprehensive anthology of essays regarding New Narrative writing and community practices by a younger generation of practitioners and scholars. This roundtable presentation and discussion proposes to take up these topics through short presentations and discussion, while asking Why New Narrative now? And, What are the stakes of New Narrative for our contemporary moment? This event will include five of the book's contributing writers, plus the its two editors. Speakers AK Amanda K.

Davidson is the author of the chapbooks Arcanagrams: He co-edits and publishes ON Contemporary Practice. Kemp is a poet and artist who has collaborated with several New Narrative authors. Alternately, Kemp engaged Dennis Susan Howe has been written about extensively, with close attention often given to the visuality of her innovative poetic practice. Debths imagines language as a complex social and aesthetic field, suggesting a poetic identity in excess of conventional scales of time and space, reader and writer, poem and material. It generously elicits a form of complex, constellative thinking suited for our difficult times, entangling us in unraveling strings of meaning, while simultaneously gathering us into the immanent field of social relation.

In Fred Moten's words, Debths "consents not to be a single being. Is This a Bad Time? An Installation" is a mixed-media show that challenges our concept of the art installation and performance. The event features video and audio by forty artists from diverse backgrounds, stages in their careers, and artistic practices. Each artist has responded to a hypothetical installation written by Julie Carr. Julie Carr can read the accompanying hypothetical installation text while the video is projected.

Brent Cox is a poet, video artist, and writer. Frank Rogaczewski is married to Beverly Stewart. Frank has published one book of prose poems, The Fate of Humanity in Verse, and is expecting another in the fall, Saturday October 6, 2: Philosophy and experimental writing: For the most part, English language experimentalism has eschewed the conventions and concerns of philosophical discourse, and Anglo-American philosophical writing has equally avoided the kind of literary and lyric innovations that motivate various poetic and diegetic avant-gardisms.

This is not true of other philosophical traditions, and in recent years a number of experimentalists with interests and backgrounds in academic philosophy have begun to incorporate overtly philosophical tropes in their work, writing in prose, verse, and hybrid forms. This panel gathers a number of such writers for a reading of their work and a conversation about the way that philosophical discourse has played a role in their own development as writers both inside and outside of academic philosophy.

Her work explores spiritual contemplation and urban expressionism through forms of the influx and the coil. She is the author SS Steven Seidenberg Writer and artist Steven Seidenberg's work is concerned and infused with the algorithmic paradigms and lyrical latencies of Western philosophy and theology, occupying the interstices between philosophical, diegetic, and poetic discursive timbres, while surrendering the epistemology Queer Epistolary Poetry Feedback Survey.

In queer epistolary poetry, how do the boundaries between private desire and social experience begin to unravel? What does it mean for poets to project the body, its desires, and its grievances across the gaps between the the living and the dead, the human and the non-human?

Panelists will read and discuss their own experiments with the epistolary form, which address such issues as the potential for intimacy with strangers, the relationship between sex, power, and political solidarity, the ongoing impact of colonialism on the mestizx body, spellwork and conversing with the dead, the queerness of space travel, and the ways that machines embody emotion and gender.

His poems were anthologized in Troubling the Line Each writer will present creative work that addresses the movement and engage in a lively, exploratory discussion no predetermined goal. He is a Ph. He has been awarded Making a Language We Can Learn: Poetics as Collaborative Praxis Feedback Survey.

What new conceptions of sense-making and text-making happen if we bring this work to the actual panel and invite attendees to join a making that will extend beyond our gathering together in a room? How might new considerations of collaboration spark innovative, process-oriented approaches to poetry, narrative and performance?

What emergent communities are put into motion in this praxis? In the spirit of alternative structures that embody constitutive, living energies - rhizomatic, mycorrhizal, vibrational, and prismatic - we seek new ways of making creative work. We begin with a public call for submissions around an initial question: What do we do together? Next, we will curate the texts into a print publication launched at the panel, where we will read and perform from the publication and discuss our process.

Simultaneously, we will launch an online version, inviting attendees to live annotate and co-create during and after the panel. Where will this take us and who will this us be when the panel beyond the panel continues AQ Andrea Quaid Andrea Quaid's work focuses on late 20th and 21st Century North American literature, poetry and poetics, pedagogy, and feminist studies. She is also co-series founder and editor My ambition is that an international panel of female poets will talk about taking on the challenge of the book as lyric medium in the twenty-first century.

After reading from their own book-length projects, panelists will address questions like: What do we gain by compounding the method of the lyric with the narrative structure of the book? How does the long-form poem redefine notions of story and story-teller? Sandra Simonds is the author of six books of poetry: This panel seeks to present screenings of video poems that incorporate the visual lyrical epistolary mode.

This panel will present video poems, about 15 minutes each, which function as personal letters between panel members. Finally, this panel is most interested in the proliferation of meaning and counternarratives within narration, centralizing voice while eschewing any final meaning or closure. He is the author of several This performance will occur twice during the session time, once at the beginning and again at 3: Inside my gorge combines the real-time erection and arrangement of augmented reality-based textual architectures with immersive, 3d virtual environments to construct, deconstruct, and reconstruct a poetics of queer embodiment in mixed reality.

Drawing upon the word gorge to suggest a valley, an act of overindulgence, and a throat, the work explores gaps and excesses in language and the conflation of text, body and landscape. Bowlin's rhinestone habitat - rendered as a luminous environment derived from 3d scans - is placed in relation to auction chanting where the cumulative repetition of numbers and "filler words" becomes a fluidly stuttering drone. Composed in an invented mixed language dialect, Guyotat's summoning of sex acts in a gay male brothel is less narrative than linguistic secretion, a distinctive outpouring of self-same written material and displaced punctuation comprising an extravagant verbivisivoco ambience.

Using solicitous flows of embodied language to create dazzling environments, Inside My Gorge enacts cuts and disappearing acts between the body, language and space. Speakers AA Abraham Avnisan Abraham Avnisan is an experimental writer and new media artist whose work is situated at the intersection of image, text, and code.

He creates mobile apps, new media installations and mixed reality performances that seek to subvert dominant narratives through embodied encounters with Since , Jeffery has developed unconventional collaborations with visual artists, scholars, video artists, sound artists, new media and Judd Morrissey is a writer and code artist who creates poetic systems across a range of platforms incorporating electronic writing, internet art, live performance, and augmented reality.

He is the creator of digital literary works including The Precession: An 80 Foot Long Internet Carman, and Jim Meirose. YT Yuriy Tarnawsky Yuriy Tarnawsky has authored some three dozen books of poetry, fiction, drama, essays, and translations in English and Ukrainian, including the novels Meningitis and Three Blondes and Death, the collections of short stories Short Tails and Crocodile Smiles, three collections of mininovels A reading featuring poets and fiction writers working with found material from social media, websites, TV reality shows, video games and more.

How can innovative writing intervene in the constant flow of likes, posts, images, information and commodities that algorithmically fills our lives under late capitalism?


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Where is meaning to be found in this context — or generated? From Facebook to Hoarders to Koko the Gorilla and mass shootings, panelists present new ways of looking at our everyday media landscape in all its splendor, kitsch and horror. Reading will be followed by a discussion that teases out the subversive formal and political dimensions of the work, with special attention to questions of satire, pastiche, polyvocality, digital excess, overconsumption, environmental collapse and gun violence.

Kate Durbin is a Los Angeles-based artist and writer. With Mary Boo Anderson, he is editing an anthology of Brooklyn Saturday October 6, 4: Cassandra Gillig is a poet and new media artist from Chicago, IL. She lives in New Brunswick, NJ. Two-day Intensive Writing Workshop with R. Erica Doyle through the Millay Colony Join us for this exciting, two-day writing workshop in at the Trisha Brown studios! How can we find language for the unspeakable ecstatic, the disastrous?

How can we counter exposition with composition? How can we distill spillage, leakage and carnage with an eye towards not only our own liberation, but the planet's? In this workshop, through exercises and readings, we will trouble and excite the writer inside and see what new moves we can make.

We will begin each four-hour class at Total workshop time is eight hours. Lunch is served at each class and the day ends at 3: Limited Scholarships, based on need, are available. Please contact director millaycolony. Erica Doyle reading with Christopher Stackhouse. Lee Gough is a cross-disciplinary artist and lives in Brooklyn, NY. She teaches drawing to people with cancer and other chronic illnesses in New York City and she does other odd jobs and occupations when she can.

Her chapbook, Future Occupations, is available from Little Red Leaves and her website from her drawings, prints and experimental animations is leegough. Julia Drescher lives in Texas. Dawn Pendergast lives in Houston, Texas. Rachel Levitsky and Latasha N. Busboys and Poets reading with LaTasha N. Creative Writing Through Visual Art. She is currently completing a cross-genre piece on New Orleans, and Monkey Talk, an inter-genre piece about race, paranoia, and surveillance.

Her forthcoming, Transfer of Qualities, will be published by Omnidawn Books. Her current project focuses on photographs and reproductions. Feminism, Poetry, Prose and the Germ of Language Panel, Reading, Reception This event celebrates and showcases two simultaneous publications of translation of writing from Montreal: Twenty-five years after its first French language publication, Theory, A Sunday, a collaborative feminist poetics text, debuts Belladonna Collaborative's new Germinal Texts series. Written in the context of years of theoretical discussion on feminism and language, "Sunday meetings," in Montreal, this volume gathers six women's theoretical and creative texts, plus a new introduction by Lisa Robertson and afterword by Gail Scott and Rachel Levitsky.

Rachel Levitsky will be introducing and moderating. A Journal of Writing and Art. As a long-time yoga practitioner, she brings this knowledge and discipline to her writing and teaching at Naropa University, writers. She is a book designer and website designer specializing in working with independent publishers as well as individual artists and writers. Girls Assembling Something Perpetual. Belladonna Benefit Belladonna Benefit! He lives in Philadelphia, PA. She writes reviews for The Constant Critic and is the editor of Corollary Press, a chapbook series dedicated to innovative mulit-ethnic writing.

She is also a Pew Fellow in the Arts. This event supports artists who fuse music, movement, sound, and dance with spoken word poetry. We are dedicated to poets, like Oliver, who seek alternative ways to present the spoken word. Ideas Like Rocks Tuesday, February 18, ; 7: Expressing our gratitude for the meaningful labor of our dedicated interns from Pratt Institute and Queens College. Though she has yet to be published, she has hopes the novel she is working on for senior thesis will prove lucrative.

Jamila Cornick is a writer of critical essays, fiction and poetry. They are currently completing their BA in psychology. She is a recipient of the Himan Brown Award for Poetry. Erica Doyle Thursday, March 27, ; 6: Erica is also a fellow of Cave Canem: A Workshop and Retreat for Black Writers. Independent Publishers Book Fair Location: Alumni Reading Room Time: A Wrecked Tangle 2. Postmodernism and the Pastoral.

She has taught poetics at St. Free broadsides for guests and a reception to follow the reading. Hip Presents Readings Series Mr. Book Party With recent releases from fellow small presses: An Evening of Readings and Dialogue: Chus Pato will be present by means of a short video reading. In your company and with your contributions, Carr and Moure and Pato as well look forward to engaging in conversations on attentiveness, on the future and building a space for it, on nation states and borders, on translation and translatability, on affective economies and momentary ones, on civic unrest, on poetry and politics.

Poets in the Garden III: Nevada Diggs, Justin Marks, and Bianca Stone reading This summer, the Academy of American Poets will continue its tradition of offering poetry readings with a diverse lineup of poets sharing their work at historic New York City locales. Free and open to the public. Seating is available on a first-come, first-served basis. Erica Doyle, Sarah Gerard: Berl's Bookstore, A Front St.

Birds of Lace poets LaTasha N. A Sunday at Concordia University. The reading will be something that each poet finds to be in dialogue indirectly, if not directly, with the book itself, and the moment and movement, that the book illustrates. From her early scholarship on French deconstruction to her video and performance art to her landmark book Dictee, Cha carved a singular space within the history of art, a one-woman avant-garde.

Her work, described, in turns, as illegible, de-colonizing, avant-garde, stuttering, provokes us into new understandings of history, language, and the body. Monti Open Studios Join us to see the work of artists and designers working in a range of media. Join us for readings, free broadsides, a letterpress printing demonstration, and tours of the Minnesota Center for Book Arts facilities.

BPL does Poetry Month: Akilah Oliver Memorial Reading: Food and Drinks will be served. Chia-Lun Chang PM: Red Hook, NY email belladonnaseries gmail. Betsy Fagin Book Launch! Special guests John Keene, Rickey Laurentiis, and r. The submissions help to realize what we as Co-Chairs of this year's Program Committee have seen as an especially rich opportunity to consider the systemic and ideological sources of the suffering that seems to spread more and more even as evidence of a gathering movement of change in the streets and on campuses becomes harder to ignore.

The Midnight Moonlight Marathon For: The Marathon will feature 48 poets reading poems from 12 noon to 12 midnight at The Commons in Brooklyn, on February 12th just remember, on the 12th from 12 to 12! Foster with Nate Marshall and Phillip B. Intern and Volunteer Celebration Studio Dynamo 3: Foster with Tyehimba Jess and John Keene, 4: The series seeks to support editorial curation as well as exciting new writing by established and emerging writers.

Beautiful Sea Of Waves Nevada Diggs and composer Marc Cary pay homage to the artistic legacy of poet Jayne Cortez A Tribute to Jayne Cortez, 2: Organized by LaTasha N. If the Woman is a Drum, 2: Curated by LaTasha N. Foster's Swarm of Bees Book Party, 4: Tonya's poetry "contemplates unspoken bonds of culture, geography, and race that bring couples and communities together, along with the terrible strains that can tear them apart" Haryette Mullen. Foster is a native of a home that no longer is what it was as always: Bohemian Book Fair The book fair is not meant to focus on Czech literature, but rather to feature US-based presses that publish literary fiction, memoir, creative nonfiction, and poetry.

Book fair and festival! The fair will take place during the Welcome to Boog City poetry, music, and theater festival. August 6th, Maxe Crandall will represent us and read at Lowe, Purvi Shah and Evie Shockley. In case of rain, the event is held under a tent at the Reading Room. They grew up in Manila and Long Island and currently live in Brooklyn. A bit further upstate, she runs The Millay Colony for the Arts, an artists' residency program and arts center.

Her poetry, translations, essays, and reviews have also appeared in numerous magazines and anthologies including The Talisman Anthology of Contemporary Chinese Poetry Talisman, , American Poets in the 21st Century: He currently teaches at the University of Pennsylvania, where he received a Ph. In his work the reader encounter natures in myriad forms, all crafted from the unusual perspective of a poet astonished by the world and at work among the queerness of life, the odd sweetness of other people, the city, nature, love, and humanity. The poems unfold amid the presence of stubborn rocks, the vast ocean and its shores, the intimate details of a suburban New Jersey landscape.

The poems present in rollicking, playful language and joyful imagery, glancing at the infinite and at the future imagined from the desert in Arizona to Mars. Her work has also been featured in several anthologies including The BreakBeat Poets: In and , she completed two multi-city tours as a part of a queer women of color literary salon, The Revival. A Journey to the Mecca of Black America".

Her book for young readers "Jake Makes a World: Torkwase is based in Brooklyn, NY. NYC Poetry Festival http: Press Play Fair http: Phililalia Book Fair https: Brooklyn Book Festival http: Queer Zine Fair https: German poet Uljana Wolf has forged a unique form of poetry out of the distorting and transforming process of translation. On the occasion of the publication of Subsisters: Diggs, Sawako Nakayasu, Celina Su, Farnoosh Fathi, Anna Moschovakis, and Matvei Yankelevich for a dynamic reading of her experimental poems in both the original language s and in the radical translations of Sophie Seita.

Uljana Wolf is a German poet, translator, and essayist, born in East Berlin. She published four books of poetry with kookbooks. Wolf has received several grants and awards for her work, among them the Villa Massimo Residency in Rome, , and the prestigious Adelbert-von-Chamisso-Preis She splits her time between Brooklyn and Berlin. This event is free and open to the public. She published four books of poetry in German, exploring the poetics of translation and the ever-shifting space between language, as well as two chapbook-length essays on the prose poem and on the translingual poetics of Theresa Hak Kyung Cha.

English translations of her work appeared in four chapbooks and in Subsisters: Gates and Fields demands an attention to the dead, the dying, and those left behind. Readings in Contemporary Poetry: Tickets are also available for purchase at the door, subject to availability. The Body and Migration: Both author's poetry intersects with their artistic and academic practices in multiple ways along the lines of race, translation, movement, and displacement. She will join the Literature faculty at Bennington College in July This event is organized in collaboration with "your office hours" and is part of a brand new James Hannaham's Series.

Thanks to the generous support of James Cohan Gallery, Chelsea. Through its robust list of vendors, the Fest represents and celebrates the plurality of voices that make the New York-area literary and print culture so vibrant. Please call The Poetry Project at in advance of events to arrange accessibility.

Come hear new work and get new chaplets! Auction goes live on our website December 1st at http: Tracy Grinnell, and Shelly Taylor. O Fallen Angel, Chiasmus Press. Dia members, students, and seniors. Curated and with an introduction by Boog City editor David Kirschenbaum. Nevada Diggs hosted by Derrick Weston Brown. The Intergalactic Cookbook , by the talented trio of Marge Simon, Sandy DeLuca, and Terrie Leigh Relf, is a collection of poems that veers from the hilarious to the bizarre and back again, never stopping to take itself too seriously.

Coming in at 57 pages and containing 25 poems as well as a number of hand-drawn illustrations , this collection is cheerfully self-aware, admonishing readers to refrain from preparing the recipes without Galactic Chef credentials. Together, the poems form a sort of helter-skelter collage of five-star galactic dishes.

Many of the poems either begin with or contain an ingredient list, which always contains one or more disturbing or apparently nonsensical items. The ingredient lists, when included, evocatively juxtapose the fantastic elements necessary for a galactic chef, as promised by the collection title, with everyday culinary staples. I downed my drink reached for her hand and then she. Other themes threading their way through this collection include gleeful cannibalism, the consumption of freshly cooked FBI agents, and culinary practices of alien sports fans.

Peppered with illustrations of severed heads, grinning skulls, and obese extraterrestrials, this collection is suitable for those looking for a lighter, more experimental course in their poetic diet, as well as anyone looking for an enjoyable collection unafraid to play its premise to the hilt. Sandy DeLuca has published five novels in addition to her collections of poetry and shorter fiction, and continues to exhibit her art in addition to her written work. Terrie Leigh Relf has produced three poetry collections, in addition to many other works, including three novels and the upcoming publications The Wolves of Glastonbury and Origami Stars from Alban Lake Publishing.

Terrie Leigh Relf's new poetry collection is filled with a blend of horror and science fiction related poems. But that body stolen from the morgue? I'll have to reuse it for parts …. There are poems about zombies, a medicine men, a barista, a kung fu guy, a witch, a mother, an angel, a horror writer, synth model , a bizarre help-wanted ad, a sommelier, her sifu, and other more unique musings. It's not the scent of his youthful skin, or the promises that pool in his eyes, but that when he leaves, your skin burns for his touch.

Relf has included a poem in her collection that literally shreds the notion of fairy tales, banishing them from the life of the poem's persona. She didn't know why her favorite book of fairy tales was lying mangled by the paper shredder. All that remained of its once-loved bulk reduced to a cloth and cardboard cover, a cotton-stitched spine. This is perhaps a poem about coming of age, and realizing the White Knight is never going to show up to save the day, and the Black Knight is more realistically a lecherous old boss stalking your nine-to-five cubicle.

Then those wild green parrots take wing at last those wild green parrots with their demon eyes. The collection is a little uneven, but then, most poetry collections are. The short prose pieces she includes, mostly haibun, reinforce this approach. However, the bulk of these poems read not as developed narratives akin to Robert Frost, but merely as the seeds and outline of stories. Unfortunately, those stories are not fleshed out enough for the reader to fully participate in. They lack the clear, bright images that are the hallmark of successful poetry. Sifu makes my lattes … rich foam, sweet vanilla shapes a moonflower, or a heart, then bows,.

Relf is using the cinquain form to organize her stanzas, a form born in minimalism. This is all that the reader is given, unfortunately. The next stanzas imply an image, but the reader is merely left with abstraction:. We do not know what heaven tastes like, nor are we allowed to know what it feels like organically when chakras spin; there is nothing for the reader to connect with, and thus the poem ultimately fails.

When it reaches its third stanza, even more distant and philosophic, the reader is left completely disconnected.


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Here the reader is caught up in the clear images. Because they can connect with this poem, when the philosophical metaphor occurs at the end—fairy tales represent immaturity and dreams of childhood which the speaker has destroyed—they are able to sympathize with the speaker because they have been through the ordeal with them instead of merely observing it from the outside. Having just finished reading this collection, my mind ever spins with a gathering of images. I am drawn into a continuum of lit and unlit earthly and alien landscapes from which emerge clones, sad gorgons, strange circuses, painted stars, zombies, abandoned ruined cities, and alien women fishing spacemen out of a sparkling lake.

Kopaska-Merkel is no stranger to weird and beautiful poetry. As a fellow poet I know: Our minds move on these far-flung tawny shores of stars quite naturally as if the brain has an extra limb that is unstoppable in its reaching, its searching. There is no alternative but to be always creating, always calling into being that which your heart desires. Down she leans to brush his lips with hers, To lave his limbs, anoint her cheeks With his essence. I highly recommend this book. Readers will not be disappointed. When you receive it, you will be receiving pages of gifts, an envelope or e-envelope containing rocketeers, tsunami revenants, enchanted mushrooms, surreal underwater cities, hungry spaceships, ghost-lovers.

This is the gift that keeps on giving. To quote one poem: Fans of scifaiku will delight in this collection, as Tauchner clearly understands the haiku form and how imagery and juxtaposition works in haiku, and brings that to a speculative audience. Many of the haiku in this collection are science fiction or science focused, often astronomically so, and the reader is often forced to place their own existence within the larger realm of the galaxy. However, Tauchner does not only include science-oriented haiku in this collection, and has some rather traditional pieces that work quite well to establish an overriding mood across the book.

Themes of loneliness and isolation, whether cosmically or otherwise, echo throughout this book.

Science Fiction Poetry Association

Occasionally, his pieces are so stripped down and bare that they read not as haiku, but possibly haiku outlines. Fortunately, these are few and far between, and the bulk of this collection is resonant and poignant. Overall, this is a really solid collection, as should be expected from such a published and award winning poet. These dreams from the psychosexual forest are not the fairy tales Disney bowdlerized for families. Rather, these fifty-eight poems by forty-eight poets reconsider fairy tales from an adult perspective, revealing the psychological significance of common tropes in ways that are both beautiful and chilling.

All stories are about loss. To enter the Black Forest is to face our darkest angers, fears and desires: We are forced to recognize that evil is as real as Dachau. Rapunzel, Little Red, and the Handless Maiden speak about abuse, abandonment, and blood in ways that are both timeless and 21st-century. The personas of these poems have all been damaged by loss of innocence, something that may have seemed desirable at first: Most display evidence of post-traumatic stress disorder.

The Rapunzel of F. Alternate points of view are explored. Villains make their points. Youth may be the norm in traditional fairy tales, but here infirmity is endemic. Overall, these well-crafted poems deftly reveal the ordinary heroism of everyday life, characters overcoming adversity in a few, powerful, well-chosen words. Buy this book for its beauty. This Rhysling-nominated poet works back and forth between what we call literary and what we call genre, mixing these in various degrees, yielding a diverse, well-crafted and bizarre collection.

And the book is aptly illustrated by well-done, wood-cut-looking grotesqueries in black and white. They match his taste, which is offbeat and fairly dark. She signs them up for marriage counseling, but he never shows. Our lives, done in gothic, with unflinching indifference. He casts a cold eye on a stewardess in an airplane, and she becomes Skogsgra which google says is an unpredictable forest spirit and she mutters spells, and bumps you with her fat hips, threatening your safe landing.

A congenial grimness haunts most of these poems, and technically they would fall between literary and horror, as they skirt the campfire, lurking with a dark intent. Coolly collected under trying circumstances. I found them all readable. Let me quote a few that I liked most: Our monstrous selves, rarified into poetry. Go buy it, and take it in small doses. Our Rarer Monsters contains an eclectic mix of subjects, styles, and forms, ranging from prose poetry, to freeverse, to several other forms in between.

Figures from myth abound in Our Rarer Monsters, some struggling to adapt to modern societies or sensibilities, while other thrive. Sloboda, in this collection, often explores the fertile intersection of initiation — the trials of youth, the adjustment to responsibility—with adaptation to a speculative environment. Sloboda has excellent economy of language, favoring the crisp weight of two-line stanzas or the staccato beat of tercets when he uses stanzas at all. Containing poetic vignettes about odd situations, ruminations on Shakespeare in the modern age, all accompanied by inked illustrations of men wearing the heads of beasts and animals, Our Rarer Monsters should have something to delight any aficionado of speculative poetry.

Zombies are the hottest monsters around right now—at least the type of zombies most commonly found in this book, the post-zombie-apocalypse type, not the Haitian zombies that started it all and are still my favorite form of the creature. Horror is here too, but humor reigns. What kind of monster is he? A lot of the poems contain lists.

Clark's most recent collection of poetry is Scenes Along the Zombie Highway, a very rough collection of poetry. It suffers from all sorts of problems, from vague, abstract language to bromidic attempts at humor to basic typographical errors. The major issue with Scenes Along the Zombie Highway is its near-complete lack of detail. The trip down this zombie highway is not recommended for the kids; pop in a Disney DVD to distract them, the reality beyond their windows a bloody mess.

There is very little, if any, concrete detail here, leaving the reader grasping for any connection to the poem. Readers are given enough to establish a scene, but not nearly enough to draw any lasting mood or theme from the piece, which results in a shallow and disinterested reading. This is a consistent issue in the book. The details provided are distant, and the poems suffer accordingly. However, it could be argued that the intention of this book is not terror or sympathy, but humor.

While these clever situations do have an obvious connection to the larger body of zombie texts, they are treated so banally that they are rendered ineffective. These characters are not humorous, not scary, but simply are. With no emotional connection, the reader neither laughs nor shivers, but simply moves to the next poem in the collection. Overall, very few readers of poetry will find a connection with or enjoyment from Scenes Along the Zombie Highway. Review by Diane Severson, Amazing Stories. Beyond the beauty of these thirty-two tightly honed poems, the knowledgeable reader is pulled in by awareness of what Stanley has excised, causing a frisson of poetic pleasure when the answer to an often apocalyptic riddle is realized:.

Wax seal broken, phantasms bleed from moonlit parchment while a black raven chants, endlessly, the one word I do not wish to hear. Several poems explore the nature of poetic inspiration.

About Floating Wolf Quarterly

Yet, who can deny that jazz times DNA squared equals inverted hypercube dreams reflected in four-dimensional mirrors, that blood times pulse equals ink stains on the page? Other poems explore various aspects of physics and cosmology—the nature of time, the big bang and the heat death of the universe.

Time decays to zero: The universe abides as hardened stone. Overall the tone is somber with more emphasis put on ends than on beginnings, more on losses than on laughter. If I had one wish for this thoughtful book, it would be to include further exploration, the lighter side of the moon as well as the dark. This chapbook contains 14 solid, well-crafted science fictional poems written by Russell Jones, editor of one of my favorite-ever anthologies, the recent Where Rockets Burn Through.

The first poem is called the "Blue Planet," which opens with the line, "Thinking futuristically," and I think that is a good way to start a science fiction book. The poem is about how we might look from the light of an alien gaze. He has a lot of monkeys in here. Monkeys, apes, various simians. Even the cover has a monkey on it, a gibbon maybe, holding a ray gun.

The inside front cover has more wild monkeys swinging around, and the inside back cover has a big, solitary ray gun. Really, it's good to remind ourselves that we are very smart apes, who are also very well-armed. The kind who paint pictures of exploding girls. Jones is a disciple of one of those rare poets who can routinely pull off stately, the late great and former poet laureate of Scotland, Edwin Morgan, who was mainstream but, get this dear reader, often wrote science-fiction poems.

And "Condemnations from a Laptop" is amusing, too. And the mixture of tone and style and form among the various poems gives the chapbook an uneven quality, but I think that is just Jones settling into his voice. I want to mention his prosody, too, which I liked. Usually he uses conversational rhythms, with no formal structures, but he often has little rhymes and slant rhymes chiming pleasantly in the background.

For example, the last stanza of "Static Life" is full of them. The poem is about waking up in the middle of a cryogenic sleep on a long voyage to the stars. Btw, if you're like me, and you come across a line in a poem like this, "Welcome to Static Life Incubation Chamber C14, please resume sleeping," then you know you're in the right place. I would like to invite Russell and his cohort to send stuff to American venues, and likewise, we should send stuff overseas more. It would do us all good. I saw the title, scanned the project, and thought, hot dog! Poems—literary quality poems—about superheroes!

And the Legion of Superheroes, too, no less, some of my childhood favorites! But we will never grow old. Most of these poems are well-constructed, and there is often light irony gently floating in the background. Some of these poems are fun, and some are thoughtful, and I will quote a few to show you. So it is literary in the sense of quality. Hence my being of a divided mind on the book as a whole. I am able to say reading it is a mixed pleasure, which, come to think of it, is the kind of pleasure most post-modernists have come to expect, anyway, and so I say without ambiguity that this book is very post-modern.

There are many poems I love in this book.


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  6. After sputtering a bit, Brainiac tells us of an actual dream, where he is tied to the Metropolis bullet train: Forward momentum radiates neatly, parts part, A decouples from B. Disassembled, it waits in my mind, done and unknown then known and undone. I understand it to bits and pieces. Do you know what this portends? It portends some cool stuff, with McDaniel doing some heavy lifting. Brainiac also fits very neatly into contemporary, intellectualized poetics, which cuts both ways.

    What do you get for the girl who is everything? Once we believed the future could be good, because. We have no future together. Stay in twilight, Supergirl, and I will pretend your sun is ever on the edge of dawn. Continuing in the same vein, many of the poems offered in this volume are made up of lined rectangles, and inside that box are titles of generally three sections: Below that are two columns of phrases, double-spaced, mostly epithets for the hero.

    The text can be sampled in any order, which is super-pomo. It is also both somewhat engaging and somewhat tiresome. I wanted to cry out, "Don't go over to the dark side, Luke! Which is too bad. But McDowell does a good job tying the two together—part of the pomo flattening and intermingling of the hierarchies—much like A. So, forgive my being annoyed by some of the post-modern and literary elements. What did I expect? This book has much fine work in it, and you will enjoy lots of it. Under Every Moon is a collection of poems and short stories by G.

    Unfortunately, the poems inside do not deliver. The very first pages are marked with clear flaws.

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